About me

I use art, and particularly painting, as a tool that allows me to take a stand and to express myself freely. For me, it’s a need and a challenge: to re-invent myself in each piece, remaining true to my principles and ideals.

As a woman artist, I am interested in claiming the place that belongs to us women by nature and that has been denied to us for ages. This is the primary aim of my last works.

With Liliput I’ve interpreted some passages from the novel Gulliver’s Travels (Jonathan Swift), subverting the roles of this mythical tale, whose main character is a man, and giving the leading role to a woman.

In my last projects I keep turning to myths and literature to take a radical shift, starting from a simple gesture.

The characters I choose share many traits: they come from a safe and comfortable place, they decide to get away from it, to start a journey into the unknown; they share a deep sense of justice, a critical vision towards their own societies, an insatiable curiosity, a voice of their own.

I feel fascinated by these traits, and I try to embody them as a creator. After all, an artist is an individual who sets off on a brave journey towards self-awareness.

Technically and formally I am exploring different supports, procedures and experimental practices. As with the conceptual part of my work, I’m open to new challenges that allow me to broaden the discourse and adjust it to my own interests.

I don’t believe in rules or default paths, which curtail risk and authenticity. Surprise is a powerful weapon to activate the viewer’s consciousness, and that’s why I’m always willing to use it.

My purpose is to develop a transgressive vision that allows connecting with the most reflexive side of the viewer, inviting them to think.

We are living a critical age, and I believe it’s a good time to take control of our history and make our own contribution.

Art can be an example for a society in crisis of its values. It must be a part of the structure, something to stimulate a critical eye, and not just an accessory adornment. This is my battle, as an artist, and as a woman.

I live and work in Madrid.

After graduating with a degree in Fine Arts (Complutense University, Madrid), I focused on managing and teaching at the Isabel Gómez Art Studio in Madrid (where I also have my studio), which I founded in 1999 and where I continue to work.

During these years, I have combined this art instrucción with various collaborations in both the public sphere (artistic specialization courses at the Complutense University of Madrid, artistic interventions at art conferences with the URJC) and the private sphere, actively participating in important initiatives within the city’s contemporary art scene.

I have held collective and individual exhibitions in private, institutional, and alternative spaces in Spain, Paris, Karlsruhe, Miami, and New Jersey.

I am currently working on a large-format piece, commissioned by the Centro Centro Cibeles Art Centre director, for its exhibition during the 2026 season as part of the Epicentro project.

My work can be found in public collections (Tomás y Valiente Art Center, Complutense University of Madrid) and private collections in Spain and abroad: Joaquín Ruiz de Arteaga, Luz Pérez García, Amor Peiró Gómez, Alicia Herrera García, José Luis Ochoa Gómez, Angel Igual Igual, José Mª Soria Delgado, Esther Tundidor, Jesús Castro Martínez Law Firm, Mini Museo Davis Lisboa.

My work has been featured in numerous publications, including Editorial Ménades, Esas que también soy yo; {con}Tensión Editorial, Manifiesto; El Mundo newspaper, Alicante; El Objetivo and 967 arte magazine.