{"id":2571,"date":"2025-12-02T12:31:42","date_gmt":"2025-12-02T11:31:42","guid":{"rendered":"https:\/\/www.isabelgomezliebre.com\/obra\/albino\/"},"modified":"2025-12-02T12:38:21","modified_gmt":"2025-12-02T11:38:21","slug":"albino","status":"publish","type":"page","link":"https:\/\/www.isabelgomezliebre.com\/es\/obra\/albino\/","title":{"rendered":"Albino"},"content":{"rendered":"

[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbcenter\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb padding_top=\u00bb0″ padding_bottom=\u00bb0″ z_index=\u00bb\u00bb][vc_column][vc_column_text css=\u00bb\u00bb]De todos los terrores, la terrible blancura<\/strong><\/p>\n

Me interesa la caracter\u00edstica de lo albino desde el enfoque simb\u00f3lico y sociol\u00f3gico por su deriva en estigma social. Desde ah\u00ed me permite abordar la otredad, lo raro.<\/p>\n

Transformar en albinos a los seres que represento proporciona el nexo que vincula las piezas, tanto en lo visual como en cuanto a su carga de fragilidad y misterio. Invita a explorar la tensi\u00f3n entre lo evidente o real y lo intangible. Los seres vivos representados con su carne y su sangre latentes, envueltos en la blancura que suele asociarse a la muerte o ausencia de vitalidad revelan una paradoja o tensi\u00f3n provocativa.<\/p>\n

La serie Albino, ha ido evolucionando desde la superficie hacia dentro. Necesariamente se han incorporado los elementos sangre y carne en sucesivas capas de significado, tom\u00e1ndolos como materia que sostiene la vida, oculta bajo la lividez. Dicha materia emplea su energ\u00eda que se recicla y transforma en un c\u00edrculo sin fin.<\/p>\n

Progresivamente, he ido sintonizando con las ideas ecopol\u00edticas de Arne Naess y la defensa del valor intr\u00ednseco de todos los seres vivos. La totalidad de la biosferea es objeto pol\u00edtico m\u00e1s all\u00e1 de lo humano. Cuando la naturaleza deja de ser un recurso, pasa a ser un sujeto pol\u00edtico.<\/p>\n

En el \u00e1mbito formal, incorporo la superficie reflectante como elemento fundamental al ser capaz de devolver la fisicidad de lo que alberga y a la vez refleja. Utilizo varios materiales: esmaltes y \u00f3leo fundamentalmente. Dada su capacidad cubriente y versatilidad, me permiten la creaci\u00f3n de personajes con impacto realista y tratamiento expresivo.<\/p>\n

Una mirada perpleja sobre la mec\u00e1nica de la vida, la fragilidad de los seres y su violencia intr\u00ednseca. La lucha por la supervivencia.<\/p>\n

En la dulzura radical de la blanquitud se anuncia la igualdad de lo viviente.[\/vc_column_text][vc_empty_space height=\u00bb43px\u00bb][\/vc_column][\/vc_row][vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbleft\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb padding_top=\u00bb25″ padding_bottom=\u00bb88″ z_index=\u00bb\u00bb][vc_column]

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Albino 12<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 1<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 11<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 2<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 3<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 4<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 7<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 8<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 9<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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Albino 10<\/a><\/h2>\n\n \n Albino <\/span>\n <\/div>\n <\/div>\n <\/div>\n\n <\/a>\n \n
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\n\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n<\/div>[\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbcenter\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb padding_top=\u00bb0″ padding_bottom=\u00bb0″ z_index=\u00bb\u00bb][vc_column][vc_column_text css=\u00bb\u00bb]De todos los terrores, la terrible blancura Me interesa la caracter\u00edstica de lo albino desde el enfoque simb\u00f3lico y sociol\u00f3gico por su deriva en estigma social. Desde ah\u00ed me permite abordar la otredad, lo…<\/p>\n","protected":false},"author":1,"featured_media":2570,"parent":775,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-2571","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nAlbino - Isabel G\u00f3mez Liebre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isabelgomezliebre.com\/es\/obra\/albino\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Albino - Isabel G\u00f3mez Liebre\" \/>\n<meta property=\"og:description\" content=\"[vc_row css_animation=\u00bb\u00bb row_type=\u00bbrow\u00bb use_row_as_full_screen_section=\u00bbno\u00bb type=\u00bbgrid\u00bb angled_section=\u00bbno\u00bb text_align=\u00bbcenter\u00bb background_image_as_pattern=\u00bbwithout_pattern\u00bb padding_top=\u00bb0″ padding_bottom=\u00bb0″ z_index=\u00bb\u00bb][vc_column][vc_column_text css=\u00bb\u00bb]De todos los terrores, la terrible blancura Me interesa la caracter\u00edstica de lo albino desde el enfoque simb\u00f3lico y sociol\u00f3gico por su deriva en estigma social. 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